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To Be the Best is a two-part 1991 British television serial, based on Barbara Taylor Bradford's 1988 novel of the same name, a follow-up to A Woman of Substance (1984) and Hold the Dream (1987). It stars Lindsay Wagner as Paula O'Neill (née Harte), taking over the role from Deborah Kerr.Paula O'Neill feuds with her cousins as she fights to save her grandmother's business, and struggles to salvage her marriage.

Carty has a new baby, a tense marriage, and four months of fragile sobriety. When he discovers a twenty dollar bill with a message written on it, an obsession begins. Will it free him? Or destroy him?

I Used to be in Pictures is a filmed documentary tracing the early years of film making in Hollywood.

Grandmother has nothing to say when Libby tells her that she is off to LA to look up Dad, a Hollywood screenwriter. Grandmother has been in a New York cemetery for six years and Dad has been out of Libby's life for 16 of her 19 years. Libby arrives in LA on a Tuesday and phones Dad the one night that Stephanie, who does Jane Fonda's hair, stays over. Stephanie is there the next morning when Libby decides she needs to tell her story face-to-face.

Growing up without parents, young rapper Ilya is desperate to reach the top of the charts. He is ready to do anything for the sake of success, but fate magically sends him from 2023 to the harsh 1993, where he meets his young parents and gets into the dashing adventures of that time. Ilya has only three days to change the fate of his family. To be in the future or not to be, now depends only on him.

Ten actors, one day, one city, and the greatest monologue of all. Some voices speak across the ages.

'To be or not to be' tells the story of Joel, a 16-year-old trans teenager who dreams of becoming a great performer, while also facing the emotional challenges of his recently begun transition.It is a naturalistic series that addresses a highly current topic without prejudice and sheds light on the experiences of a group unknown to many or poorly understood by others. It aims to be a transformative series, which gives visibility and naturalizes with freshness and humor the ever-widening range of identities and gender expressions of today's young people.

Scrooge was a "grouch," the greatest the world of literature has ever known. His former partner, Jacob Marley, had been dead more than seven years when the eventful Christmas Eve closed in on London. So imbued had Scrooge become with greed for money that his world, his sun, moon and stars were represented in bank notes and the securities he dealt in. He had not given Marley a thought since the day he buried him, and Scrooge celebrated that day by driving the best of business bargains. On this Christmas Eve Bob Cratchit, his faithful clerk, had been sent home with a gruff word instead of a "Merry Christmas" and had been told because he was to have the day off he must come to work extra early on the following morning. Scrooge's nephew had made his accustomed call to ask the old "grouch" to dine with him; and Scrooge had been his usual surly self in refusing. Kind-hearted collectors for charity had called, and Scrooge had turned them away with a snarl. There was no Christmas spirit, so ...

Face it, nobody on Earth gives a hoot about the Moon. Every time he comes out to say “hi”, we all shout “boring!” and head off to sleep. Well guess what, pal… He’s sick of it. Join Moon as he sets off on an odyssey across the solar system in search of a planet that will appreciate him for who he is and give him the respect he deserves.